Executed in 1938, the low-relief panels portray two allegorical figures representing themes of the spirit of justice and are placed on the lintels above the leather-covered doors.

The double panels of "Gemini" portray two young girls as mirror images of each other.

The flanking panels portray praying patrons with their namesake saints: Peter and Agnes.

The right panel is a hellscape and portrays the torments of damnation.

A panel decorating the bibliography portrays a 17th-century angler on the riverbank, while another portrays Mr. Neff himself in the same pose in 1968.

The panels portray the elements of a capitalist economy.

The righthand panels portray Zulu warriors, whom the Boers had to subjugate before claiming the land.

The panel portrays the mercifully protective gesture of the Madonna enfolding her followers in her mantle.

The panel to the right portrays the circumcision of Jesus, with no indirection about what is going on.

The large central panel portrays the nativity events in Bethlehem.