As for the singing itself, some may have been disappointed by a certain roughness of tone in the upper voices.

The choir's repertoire consists of music written for upper voices.

In summary, the conventional resolution is for all upper voices to move down against a rising bass.

You have the upper voice, very true and clear.

The composer repeats the theme in the upper voice and the piece ends.

Clarity in the upper voices lost out most.

The most interesting case is when the lines link an inner voice to the upper voice.

The two upper voices share the same musical themes.

Horn fifths occur when the upper voice is on the first three scale degrees.

The melody was put in the upper voice.