Three solos featured robes.

His solos featured rugged two-note harmonies and in places aspired to a jazz-rock percussive intensity.

Peart's drum solos also feature sections performed primarily on the electronic portion of his kit.

The track is known for the solo featured prominently on its second half.

Her next solo featured a number of portrait dolls, including one of her and Paul in bed (à la Yoko and John).

The solo also features a tuba, courtesy of Tommy Johnson, and kazoos.

His rhythmically intricate solo featured off-balance choreographic phrases followed by moments of triumphant aplomb.

McGee now performs in a variety of formats, from solo to band lineups featuring members of the Hobopop Collective and other guests.

While the solo featured in the song helped to bolster Sheila E.'s fame, all subsequent versions of this song have no drum solo.

The song is notable for casting elements of traditional Greek music in a contemporary dance music setting: its arrangement includes bouzoukis and a solo featuring a Cretan lyra.