To this end, he used mixed note values, as opposed to Couperin's whole notes throughout.

The smallest note value possible with this program is demi-semi-quaver.

Any note value can be the beat, depending on the time signature.

The note value does not receive a particular name; the note's position within the beat gets the name.

The process involved a few minor adjustments of note values and some abridgments.

A descending figure in the strings repeats, but the note values are always changing.

Passages which mixed note values may have been exempted from the practice.

Though how he could let her away with so little fundamental understanding of note values is really beyond me.

A note value may be augmented by adding a dot after it.

This dot adds the next lower note value, making it one and a half times its original duration.