The organist Antonio de Cabezón stands out for his keyboard compositions and mastery.

The overwhelming majority of keyboard compositions from 16th-century France are transcriptions of music for voices-especially chansons.

In addition to his keyboard compositions, he wrote verse anthems, canons and other works.

Alongside his many keyboard compositions, Busoni's catalog lists five operas.

Continuing in his research, he published and recorded many unedited keyboard compositions by Paisiello, Donizetti, Field and others.

Clementi's influence extended well into the 19th century, with composers using his sonatas as models for their keyboard compositions.

Since the 1950s, Hope has published most of Hustad's choral, vocal, and keyboard compositions and arrangements.

In addition to his keyboard compositions, Farnaby also composed madrigals, canzonets and psalms.

Many of the keyboard compositions were simple two-part formulations with the left hand playing the lesser role.

His first keyboard compositions were published in Glasgow, and became popular in the American colonies.