His hands spread to indicate an imaginary object some two feet wide.

Fig.1: Pictorial of imaginary object that the technician wishes to image.

Gissing was looking for an imaginary object on the floor of the car.

These moves can be combined with video editing to show the imaginary object being manipulated as the person dances.

He has darted forward to say it, and to point at the ground, as though at some imaginary object far beneath.

However, Sartre points out that imaginary objects cannot teach us anything.

In short, imaginary objects are what we intend them to be.

He cannot be compared to anything (imaginary or real objects) and even His own creation.

This forms a virtual point of origin, so that the image source appears to be an imaginary object somewhere close to the glass.

At the same time, they do not indicate imaginary or possible objects.