Movement 6 combines the two stanzas from different chorales in a four-part setting.

At the end, the four-part setting is played again.

The cantata ends with a four-part setting of the chorale melody.

The cantata is closed by a four-part setting of the chorale.

The first added movement is a four-part setting of the chorale stanza.

The final movement is a four-part setting of the chorale.

The cantata concludes with a four-part setting of the chorale.

Then we present them in a three- or four-part setting by a 15th-century composer.

The final chorale is a four-part setting for the choir and all instruments.

The cantata is closed by the final stanza in a four-part setting.