In other words, the machine just plays back digital samples with no other manipulation and appears unable to do traditional music synthesis.

And like the Chamberlin - most Orchestron sounds heard after the year 1999 will be from digital samples and not the actual instrument.

The performer also pays for the rights to any digital samples, which vary widely in cost.

Linn achieved his sounds by using a chip, built into the machine, which converted the digital samples into analog audio.

These sounds came from actual instruments, and their digital samples.

The band used only digital samples of nature for the music.

One can compose or arrange endless combinations of digital samples and loops matched to one's own liking.

In this machine, all the sounds are digital samples.

A 16-bits pattern generator is able to generate arbitrary digital samples on from 1 to 16 bits.

The background humming music is removed and Mario is given a digital sample "hugggh" sound when jumping.