While working technically within the rerstaints of such classical drawing, Sullivant and others like A. B. Frost and E. W. Kemble, sought out new, playful means of expression.

He studied classical drawing, initially focusing on portrait and figure subjects, and began to paint landscapes during the 1980s.

He sought more enjoyment and personal freedom, and decided to learn classical drawing.

Today Ramsay combines his still life work with that of his portraiture; the latter still ranges from formal portraits to classical drawings of adults and children.

Other groups of artists expressed feelings that verged on the mystical, many very largely abandoning classical drawing and proportions.

His classes are characterized by a structured and logical approach to the tradition of classical drawing and painting techniques.

Rice's work reveals his interest in classical drawing and painting, but also in abstraction and media/surface play, with Asian influences and allusions.

This low black form, barricaded by open sacks of red oxide, suggests a little engine that could, while the contrasting colors restate in industrial terms the charcoal and sanguine of classical drawing.

Alongside the cartoon versions, which Disney adapted from Slesinger, Slesinger's simplified lines and pastel color adaptations of Shepard's classical drawings are now marketed under the description "Classic Pooh".

The Drawing Academy emphasizes classical drawing, as it is known from the great masters of the renaissance.