For much of that period, he also wrote editorials that appeared in the Hearst papers.

Hearst papers refused to accept advertising for the film.

Within only months, Henry was being published in 50 American newspapers, including 15 Hearst papers.

In the mid-1940's the Hearst papers became one of his outlets.

Smith was also concerned about reporters from the Hearst papers, who had taken Frank's side.

For the Hearst papers, Levine was a columnist through the late 1920s and 1930s.

The Chicago American articles were syndicated by the Hearst papers.

The film, eventually considered among the finest ever made, was a box office disaster, thanks to Hearst papers' negative reviews.

Don't go believing what you read in those Hearst papers.