Some of the Graham dances at City Center do tell - or at least suggest - relatively clear, linear stories.

Ms. Stroman studied a little Graham technique in college and has seen several Graham dances.

Learning roles in Graham dances that also included "American Document," he worked on technique and the choreography with her dancers.

Mr. Baryshnikov would like to acquire more Graham dances, and has studied film records to find works that his company might do well.

Mr. Mason said that the company did not plan to perform the Graham dances again until the full ruling.

Yuriko, a noted interpretor of Graham dance in the 1950's and 1960's, works on revivals.

If Mr. Protas prevails, he can continue to license the Graham dances.

But the company's greatest treasure is the Graham dances.

The company began the formal licensing of Graham dances to other troupes this year.

He reconstructed several Graham dances in 1968 and coached the company for a one-night gala at City Center last year.