The first Allegro movement leads with his flying trajectories across the stage.

Much of it is commonplace Classicism, but there are some interesting touches, including a zesty, galloping Allegro movement and a beautifully streamlined Rondo.

To open the program, the conductor Anthony Elliot led a nimble account of an Allegro movement from Mozart's Divertimento in B flat.

This Allegro movement is followed by a grave Andante section in which the dancers successively curve their arms up and seem to pass a hidden object down a line.

The Allegro movement is featured in stage show "Fame".

Originally this number ended with an Allegro movement in Eb major.

In the Allegro movement, strings and winds in choirs, punctuated by firm timpani strokes, take us directly into the world of Haydn.

The outer Allegro movements benefited from robust, lively playing, but even in the most outgoing passages, the players maintained a clarity of texture that served Mozart well.

"Restless energy" defines the Allegro movement, a four note motif is passed between cello and bassoon, later dominating figuration in the bassoon part.

Two thematically related Allegro movements serve as bookends to a grief-laden Adagio in memory of Albert, who died in a car crash in 1992.