electronic editing

Sam Krowchenko on electronic editing and the sense of a history.

Videophiles depend on what is known as electronic editing.

Emmy for electronic editing systems for programs produced on film (1986)

With the introduction of electronic editing using word processors or desktop publishing, literal blue pencils are seen more rarely, but still exist in metaphor.

"Studios made large investments in electronic editing systems and they were sold a bill of goods because they were told films could be cut faster.

As such, Publisher is generally recognized to be of limited functionality where multiple-user electronic editing or dissemination is concerned.

"New technology - whether it's new film stock or electronic editing or special effects - enchances the tools you have available and expands your vocabulary.

Announcing his intention to employ high-tech electronic editing and processing techniques that would revolutionize film making, he set out to make movies on his own terms.

On the one hand they are investing in the modernisation of La Croix, with electronic editing and a full electronic archive of the paper.

The Videonics DirectED Plus ($599), for instance, performs electronic editing similar to cutting and splicing of film.

"Because of the electronic editing, we can afford to reproduce 30 different versions of 'The Tyger,' " Dr. Eaves said.

Students can go to the radio station and record shows which are later edited on 2 computers that have specialized editing programs and also on other electronic editing devices.

With the proliferation of electronic editing and other computer-driven habits, many of today's younger film composers never develop the basic musical skills that were once essential in fashioning a score.

By the early seventies, however, the term was generally understood to mean semiautomated typewriters affording at least some form of electronic editing and correction, and the ability to produce perfect "originals."

In the 1970s, after extensive electronic editing, all of the recordings were issued by RCA on LP and later were digitally remastered for CD by BMG.

The process required great skill, and often resulted in edits that would roll (lose sync) and each edit required several minutes to perform, although this was also initially true of the electronic editing that came later.

We are looking now to a new era of electronic editing, and a new generation of scholars are eager to devise new approaches to editing that will make more and different kinds of texts available.

This process - very similar to Sargent's Electronovision - recorded the signal on ultra-wideband IVC 9000 analog VTRs, but allowed easy electronic editing, titling, and effects, similar to a traditional 1980s videotape TV show.

It has undergone a total conversion to electronic editing and production and boasts efficient schedules and procedures in place to release about 100 new titles each year in the areas of international studies, archaeology, dance, history, literature, political science, and many others.

O'Connell also extensively documented RCA's technical problems with the Philadelphia Orchestra recordings of 1941/42, which required extensive electronic editing before they could be released (well after Toscanini's death, beginning in 1963, with the rest following in the 1970s).

When introduced, the portability and simplicity of the Model 100 made it attractive to journalists, who could type about 11 pages of text and then transmit it using the built-in modem and TELCOM program for electronic editing and production.

David C. Parker is the Edward Cadbury Professor of Theology and the Director of the Institute for Textual Scholarship and Electronic Editing at the Department of Theology and Religion, University of Birmingham.

His first job in Australia was as a lecturer in Professional Writing at the then Canberra College of Advanced Education (now the University of Canberra), where he set up one of the country's first electronic editing programs and was founding editor of the literary magazine Redoubt.